Leonora Hamill

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<channel>
	<title>Leonora Hamill</title>
	<link>http://leonorahamill.com</link>
	<description>Leonora Hamill</description>
	<pubDate>Tue, 05 Feb 2013 17:09:51 +0000</pubDate>
	<generator>http://leonorahamill.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Art in Progress</title>
				
		<link>http://www.leonorahamill.com/Art-in-Progress</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/Art-in-Progress</comments>

		<pubDate>Tue, 05 Feb 2013 17:09:51 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Photography, Prix HSBC 2012]]></category>

		<guid isPermaLink="false">3497203</guid>

		<description>&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-01_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-01_o.jpg" data-mid="18328404" caption="&#38;lt;i&#38;gt;Painting I Krakow&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-03_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-03_o.jpg" data-mid="18328416" caption="&#38;lt;i&#38;gt;Sculpture I Bombay&#38;lt;/i&#38;gt;, 2011&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-04_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-04_o.jpg" data-mid="18441670" caption="&#38;lt;i&#38;gt;Sculpture I Athens&#38;lt;/i&#38;gt;, 2012&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-06_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-06_o.jpg" data-mid="18328430" caption="&#38;lt;i&#38;gt;Painting I New Haven&#38;lt;/i&#38;gt;, 2012&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-07_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-07_o.jpg" data-mid="18328434" caption="&#38;lt;i&#38;gt;Drawing I Rome&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-08_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-08_o.jpg" data-mid="18328440" caption="&#38;lt;i&#38;gt;Painting I Düsseldorf&#38;lt;/i&#38;gt;, 2012&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-09_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-09_o.jpg" data-mid="18328445" caption="&#38;lt;i&#38;gt;Sculpture II Saigon&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-11_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-11_o.jpg" data-mid="18328449" caption="&#38;lt;i&#38;gt;Sculpture I Santiniketan&#38;lt;/i&#38;gt;, 2011&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-12_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-12_o.jpg" data-mid="18328452" caption="&#38;lt;i&#38;gt;Drawing I Hanoi&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-13_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-13_o.jpg" data-mid="18328456" caption="&#38;lt;i&#38;gt;Sculpture I Krakow&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-14_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-14_o.jpg" data-mid="18328458" caption="&#38;lt;i&#38;gt;Sculpture I Saigon&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-15_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-15_o.jpg" data-mid="18328462" caption="&#38;lt;i&#38;gt;Sculpture I Tétouan&#38;lt;/i&#38;gt;, 2011&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-16_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-16_o.jpg" data-mid="18328470" caption="&#38;lt;i&#38;gt;Painting I Havana&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-17_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-17_o.jpg" data-mid="18328476" caption="&#38;lt;i&#38;gt;Sculpture I Baroda&#38;lt;/i&#38;gt;, 2011&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-18_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-18_o.jpg" data-mid="18328484" caption="&#38;lt;i&#38;gt;Painting II Havana&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-20_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-20_o.jpg" data-mid="18328494" caption="&#38;lt;i&#38;gt;Multimedia I Warsaw&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-21_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-21_o.jpg" data-mid="18328502" caption="&#38;lt;i&#38;gt;Painting III Warsaw&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-25_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-25_o.jpg" data-mid="18328511" caption="&#38;lt;i&#38;gt;Painting I Warsaw&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-27_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-27_o.jpg" data-mid="18328531" caption="&#38;lt;i&#38;gt;Sculpture I Paris&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-28_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-28_o.jpg" data-mid="18328548" caption="&#38;lt;i&#38;gt;Sculpture II Carrara&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-39_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-39_o.jpg" data-mid="18328569" caption="&#38;lt;i&#38;gt;Sculpture II Baroda&#38;lt;/i&#38;gt;, 2010&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;

&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-40_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload59.cargocollective.com/1/7/246923/3497203/AIP-40_o.jpg" data-mid="18328581" caption="&#38;lt;i&#38;gt;Photography I Poznan&#38;lt;/i&#38;gt;, 2009&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
TextArt in Progress is inspired by art schools across Europe, Asia, Africa and the Americas. The series, which started in 2009, consists of images of studios where the students work. Shot with a large format camera and printed analogically, the images are intentionally detailed, frontal and neutral. “I have a certain way of confronting myself with reality,” Hamill explains, “and that is conveyed by frontal images, and by a cold aesthetic that offers the spectator the possibility of visually navigating a space that is simultaneously contemplative and dynamic”. 

Despite their absence, the students remain present through the spaces they have occupied, the objects they have engaged with, and the work they are in the process of making. The spaces exude a palpable sense of collective energy. The objects that are scattered throughout the studios often belong to the Western canon of history of art and constitute a web of cross-references, which acts as a unifying device throughout the series. The studios, ranging from Saigon to Saint Petersburg and Bombay to New Haven, condense the presence of students, the passage of time, and the production of art, creating an intensely stratified space.
 </description>
		
		<excerpt>TextArt in Progress is inspired by art schools across Europe, Asia, Africa and the Americas. The series, which started in 2009, consists of images of studios where...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload59.cargocollective.com/1/7/246923/3497203/prt_1339154464.jpg" />

	</item>
		
		
	<item>
		<title>The Seventh Nerve</title>
				
		<link>http://www.leonorahamill.com/The-Seventh-Nerve</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/The-Seventh-Nerve</comments>

		<pubDate>Fri, 01 Jun 2012 08:20:42 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Moving Image]]></category>

		<guid isPermaLink="false">3510872</guid>

		<description>&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510872/7Nerve-Solo-01_1000.jpg" width="800" height="210" width_o="800" height_o="210" src_o="http://payload60.cargocollective.com/1/7/246923/3510872/7Nerve-Solo-01_o.jpg" data-mid="18372839" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Three screen installation, 3mn 09s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510872/7Nerve-Solo-02_1000.jpg" width="800" height="210" width_o="800" height_o="210" src_o="http://payload60.cargocollective.com/1/7/246923/3510872/7Nerve-Solo-02_o.jpg" data-mid="18372842" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Three screen installation, 3mn 09s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510872/7Nerve-Solo-03_1000.jpg" width="800" height="210" width_o="800" height_o="210" src_o="http://payload60.cargocollective.com/1/7/246923/3510872/7Nerve-Solo-03_o.jpg" data-mid="18372845" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Three screen installation, 3mn 09s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;TextThe Seventh Nerve refers to the nerve which is the most directly associated with the face. The piece consists of three simultaneous close-ups of the face of a woman remembering, perceiving and physically experiencing pain. Inspired by the photographs of the French physician Duchenne de Boulogne it is an exploration of the physical manifestations of different types of pain.
 </description>
		
		<excerpt>TextThe Seventh Nerve refers to the nerve which is the most directly associated with the face. The piece consists of three simultaneous close-ups of the face of a...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload60.cargocollective.com/1/7/246923/3510872/prt_1339154068.jpg" />

	</item>
		
		
	<item>
		<title>I was much too far out all my life</title>
				
		<link>http://www.leonorahamill.com/I-was-much-too-far-out-all-my-life</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/I-was-much-too-far-out-all-my-life</comments>

		<pubDate>Fri, 01 Jun 2012 08:17:24 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Moving Image]]></category>

		<guid isPermaLink="false">3510861</guid>

		<description>&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510861/AML-05_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510861/AML-05_o.jpg" data-mid="18452654" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Single screen installation, 5mn 50s" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510861/AML-08_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510861/AML-08_o.jpg" data-mid="18452660" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Single screen installation, 5mn 50s" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510861/AML-11_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510861/AML-11_o.jpg" data-mid="18452671" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Single screen installation, 5mn 50s" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510861/AML-13_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510861/AML-13_o.jpg" data-mid="18452690" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Single screen installation, 5mn 50s" border="0" align="left"/&#62;{image 5caption=16mm film transferred digitally, colour, 4:3
Single screen installation, 5mn 50s}&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510861/AML-26_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510861/AML-26_o.jpg" data-mid="18452907" caption="16mm film transferred digitally, colour, 4:3&#38;lt;br /&#38;gt;
Single screen installation, 5mn 50s" border="0" align="left"/&#62;TextThe title refers to a line in the Stevie Smith poem Not Waving but Drowning. The piece, shot in one take, consists of a naked woman floating in a body of water and is an exploration of female emotional identity through gesture and a reminder of how restricted we are by our physical vocabulary in terms of conveying real situations and inner states of mind.
 </description>
		
		<excerpt>TextThe title refers to a line in the Stevie Smith poem Not Waving but Drowning. The piece, shot in one take, consists of a naked woman floating in a body of water...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload60.cargocollective.com/1/7/246923/3510861/prt_1339424441.jpg" />

	</item>
		
		
	<item>
		<title>The Second Eve</title>
				
		<link>http://www.leonorahamill.com/The-Second-Eve</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/The-Second-Eve</comments>

		<pubDate>Fri, 01 Jun 2012 08:13:24 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Moving Image]]></category>

		<guid isPermaLink="false">3510850</guid>

		<description>
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-01.jpg" width="450" height="800" width_o="450" height_o="800" src_o="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-01_o.jpg" data-mid="18372895" caption="16mm film transferred digitally, colour&#38;lt;br /&#38;gt;
Single screen installation, 8mn10s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-02.jpg" width="455" height="800" width_o="455" height_o="800" src_o="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-02_o.jpg" data-mid="18372904" caption="16mm film transferred digitally, colour&#38;lt;br /&#38;gt;
Single screen installation, 8mn10s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-03.jpg" width="450" height="800" width_o="450" height_o="800" src_o="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-03_o.jpg" data-mid="18372915" caption="16mm film transferred digitally, colour&#38;lt;br /&#38;gt;
Single screen installation, 8mn10s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-04.jpg" width="452" height="800" width_o="452" height_o="800" src_o="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-04_o.jpg" data-mid="18372919" caption="16mm film transferred digitally, colour&#38;lt;br /&#38;gt;
Single screen installation, 8mn10s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-08.jpg" width="449" height="800" width_o="449" height_o="800" src_o="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-08_o.jpg" data-mid="18372923" caption="16mm film transferred digitally, colour&#38;lt;br /&#38;gt;
Single screen installation, 8mn10s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-09.jpg" width="452" height="800" width_o="452" height_o="800" src_o="http://payload60.cargocollective.com/1/7/246923/3510850/2Eve-09_o.jpg" data-mid="18372927" caption="16mm film transferred digitally, colour&#38;lt;br /&#38;gt;
Single screen installation, 8mn10s&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
{image 7}
TextThe Second Eve was shot in a single take 
and conceived as a moving votive painting.

The title refers to a name sometimes given
to the Virgin Mary in the Scriptures. It also 
introduces the notion of temptation hence 
highlighting the blurry line between pain 
and pleasure and how easily one physical 
state can be perceived as another.
 </description>
		
		<excerpt>TextThe Second Eve was shot in a single take  and conceived as a moving votive painting.  The title refers to a name sometimes given to the Virgin Mary in the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload60.cargocollective.com/1/7/246923/3510850/prt_1339060962.jpg" />

	</item>
		
		
	<item>
		<title>Attack</title>
				
		<link>http://www.leonorahamill.com/Attack</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/Attack</comments>

		<pubDate>Fri, 01 Jun 2012 08:09:25 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Moving Image]]></category>

		<guid isPermaLink="false">3510839</guid>

		<description>
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-01_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-01_o.jpg" data-mid="18329265" caption="16mm film transferred digitally, colour, sound&#38;lt;br /&#38;gt;
Single screen installation with sound, 7mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-07_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-07_o.jpg" data-mid="18329267" caption="16mm film transferred digitally, colour, sound&#38;lt;br /&#38;gt;
Single screen installation with sound, 7mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-12_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-12_o.jpg" data-mid="18329271" caption="16mm film transferred digitally, colour, sound&#38;lt;br /&#38;gt;
Single screen installation with sound, 7mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-04_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-04_o.jpg" data-mid="18367338" caption="16mm film transferred digitally, colour, sound&#38;lt;br /&#38;gt;
Single screen installation with sound, 7mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-15_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-15_o.jpg" data-mid="18367340" caption="16mm film transferred digitally, colour, sound&#38;lt;br /&#38;gt;
Single screen installation with sound, 7mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-17_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510839/Attack-17_o.jpg" data-mid="18367343" caption="16mm film transferred digitally, colour, sound&#38;lt;br /&#38;gt;
Single screen installation with sound, 7mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
TextAttack, shot in one take, explores the physicality of anguish. Against a black, nondescript, dramatically lit background we see a woman enduring a panic attack. She oscillates between moments of sheer terror and of sheer expectation. Her body, her gestures and her facial expressions are the vehicle through which she expresses her inner turmoil.
 </description>
		
		<excerpt>TextAttack, shot in one take, explores the physicality of anguish. Against a black, nondescript, dramatically lit background we see a woman enduring a panic attack....</excerpt>

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		<media:thumbnail url="http://payload60.cargocollective.com/1/7/246923/3510839/prt_1339154258.jpg" />

	</item>
		
		
	<item>
		<title>Commissions</title>
				
		<link>http://www.leonorahamill.com/Commissions</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/Commissions</comments>

		<pubDate>Fri, 01 Jun 2012 08:06:51 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">3510832</guid>

		<description>
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-06_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-06_o.jpg" data-mid="18445396" caption="The Beetles, Oxfordshire" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-02_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-02_o.jpg" data-mid="18329393" caption="The Little Chair, Milan" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-03_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-03_o.jpg" data-mid="18329405" caption="The Pink Flamingo, Gloucestershire" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-05_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-05_o.jpg" data-mid="18329431" caption="Time for Tea, London" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-04_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-04_o.jpg" data-mid="18329417" caption="The Red Book, Milan" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-01_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510832/Comm-01_o.jpg" data-mid="18329378" caption="Isoletta, Eze-sur-Mer" border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

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		<media:thumbnail url="http://payload60.cargocollective.com/1/7/246923/3510832/prt_1339060983.jpg" />

	</item>
		
		
	<item>
		<title>Their Favourite Novels</title>
				
		<link>http://www.leonorahamill.com/Their-Favourite-Novels</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/Their-Favourite-Novels</comments>

		<pubDate>Fri, 01 Jun 2012 08:00:40 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">3510799</guid>

		<description>
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-01_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-01_o.jpg" data-mid="18329292" caption="Massi, &#38;lt;i&#38;gt;The Body Artist&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-02_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-02_o.jpg" data-mid="18329300" caption="Allen, &#38;lt;i&#38;gt;Hölzfallen&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-03_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-03_o.jpg" data-mid="18329307" caption="Zeina, &#38;lt;i&#38;gt;A Moveable Feast&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-04_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-04_o.jpg" data-mid="18329313" caption="Simone, &#38;lt;i&#38;gt;La Métaphysique des Tubes&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-05_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-05_o.jpg" data-mid="18329316" caption="Aatish, &#38;lt;i&#38;gt;The Picture of Dorian Gray&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-06_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-06_o.jpg" data-mid="18329320" caption="Susanne, &#38;lt;i&#38;gt;Les Particules Élémentaires&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-07_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-07_o.jpg" data-mid="18329321" caption="Patrik &#38;amp; Zelmira, &#38;lt;i&#38;gt;The Beautiful &#38;amp; Damned&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-08_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-08_o.jpg" data-mid="18329326" caption="Jessica, &#38;lt;i&#38;gt;Orlando&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-09_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-09_o.jpg" data-mid="18329329" caption="Charlie, &#38;lt;i&#38;gt;Catcher in the Rye&#38;lt;/i&#38;gt;, 2003&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-10_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-10_o.jpg" data-mid="18367212" caption="Nina, &#38;lt;i&#38;gt;Middlesex&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-11_1000.jpg" width="800" height="638" width_o="800" height_o="638" src_o="http://payload60.cargocollective.com/1/7/246923/3510799/Novels-11_o.jpg" data-mid="18367217" caption="Gaston, &#38;lt;i&#38;gt;Die Leiden des jungen Werthers&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
C-type analogue print" border="0" align="left"/&#62;
TextFor this series I ask a subject to select their favourite novel. I then create a mise-en-scene evoking the atmosphere of their chosen book and take their portrait. By acting out a role they have chosen themselves, for themselves, I attempt to reveal another layer of my subjects’ identity, both in terms of how the viewer perceives them and how they wish to be perceived by the viewer. Inspired by the old masters in painting, I use the descriptive quality of a large-format camera and the richness of colour film to allow for the interplay between different perceptions of reality and fiction and more importantly, I use the narrative strategy of literature in order to create an original portrait.
 </description>
		
		<excerpt>TextFor this series I ask a subject to select their favourite novel. I then create a mise-en-scene evoking the atmosphere of their chosen book and take their...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload60.cargocollective.com/1/7/246923/3510799/prt_1339062983.jpg" />

	</item>
		
		
	<item>
		<title>Rouffach</title>
				
		<link>http://www.leonorahamill.com/Rouffach</link>

		<comments>http://www.leonorahamill.com/following/leonorahamill.com/Rouffach</comments>

		<pubDate>Wed, 30 May 2012 10:12:30 +0000</pubDate>

		<dc:creator>Leonora Hamill</dc:creator>
		
		<category><![CDATA[Moving Image]]></category>

		<guid isPermaLink="false">3497902</guid>

		<description>
&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497902/Rouff-Stripe-01_1000.jpg" width="800" height="520" width_o="800" height_o="520" src_o="http://payload59.cargocollective.com/1/7/246923/3497902/Rouff-Stripe-01_o.jpg" data-mid="18328790" caption="HD, colour, sound, 16:9&#38;lt;br /&#38;gt;
Three screen installation, 48mn&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;
&#60;img src="http://payload59.cargocollective.com/1/7/246923/3497902/Rouff-Stripe-02_1000.jpg" width="800" height="520" width_o="800" height_o="520" src_o="http://payload59.cargocollective.com/1/7/246923/3497902/Rouff-Stripe-02_o.jpg" data-mid="18328794" caption="HD, colour, sound, 16:9&#38;lt;br /&#38;gt;
Three screen installation, 48mn" border="0" align="left"/&#62;
TextCommissioned by the Centre Hospitalier de Rouffach, a psychiatric hospital in Alsace, France, Rouffach is an investigation of the experience of the encounter with another human being mediated through the camera. Seven patients were asked what their worst and happiest moments were. Each patient was filmed frontally in a studio responding to these two questions and was also filmed in a different location geographically linked to the hospital The figure is always walking away from the viewer, repeatedly criss-crossing the frame. These images of each person talking, listening, and walking through space, are juxtaposed in a triple-channel projection.
 </description>
		
		<excerpt>TextCommissioned by the Centre Hospitalier de Rouffach, a psychiatric hospital in Alsace, France, Rouffach is an investigation of the experience of the encounter...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload59.cargocollective.com/1/7/246923/3497902/prt_1339062801.jpg" />

	</item>
		
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